Review: Cursive - Mama, I'm Swollen

I was not looking forward to when this album came up in my list of things to review. Not reviewing it was not an option: Cursive is one of my favorite bands of all time. Actually, that's what made it so hard. I keep holding out hope that I just don't understand this album, that one day I'll play it and just realize the genius that I just know Tim Kasher packed it full of. Unfortunately, that day hasn't come yet and so with a heavy heart I have to admit, I think this is probably the weakest Cursive offering to date.

That said, this isn't a terrible album. Almost any of the songs on it would be fine down-tempo numbers on a different Cursive album surround by bigger, screamier, more dynamic songs. They wouldn't be our favorites and when we talked about the album and someone mentioned them we'd be like "oh yeah, that song's on there too," but they wouldn't be bad. The problem with Mama, I'm Swollen (I hadn't actually gotten around to saying that yet had I?), is that it's a whole album of what I would hesitate to call 'filler tracks' but that's really the only word for them. When I talk to other people about Cursive we usually agree that as Tim Kasher cleaned his life up, the songs took a hit. Where the hard drinking, self-loathing Tim cranked out the truly awesome Domestica and The Ugly Organ, it was a much better situated Tim that gave us Happy Hollow and I would hazard a downright stable guy who wrote Mama. He can't even get it up to rage about religion anymore. Sure the album takes a few swings here and there ('We're Going to Hell' and 'Mama, I'm Satan') but they lack the teeth and claws of even an interlude from back in the old days.

The album opens with a rocker (it's only rocker, really) "In The Now" and then promptly hits its high points in "From the Hips" and "I Couldn't Love You." The latter is probably the closest this album gets to form with Kasher screwing up his face to scream "I couldn't love you anymooooooooore" (if you don't believe me just watch the video). After these three, the album just kind of coasts for seven tracks. Again, these are all fine songs. They're Cursive songs, they just aren't the best we've seen. And you know what? That's fine. Tim, if you're out there, you been through some stuff and it seems like you're coming out of it now and if that means you have to take your foot off the gas pedal a little bit then go for it, you've earned it. You don't have to prove anything anymore. This album is fine, I'll just mix in 'The Great Decay' 'The Recluse' and 'Tall tales' when I need a jolt. But for those of you who have never listened to Cursive, please don't make this the first album you listen to.

And now, the videos for the album (there were three. anyone else think that's a little excessive?)







Cursive - In The Now
Cursive - I Couldn't Love You

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Cursive

A couple cool items to combat the weather

It has been toasty here in Worcester, and I mean hot like you read about. You what else is hot though? Some of the sweet news items I have to share, all of which are courtesy of the fine, fine, unknowing individuals over at punk news. The first and most awesome of these is the news that Desaparecidos, the greatest thing that Conor Oberst has ever done with his life, will be re-uniting. They are playing a benefit show to raise funds to combat a Nebraska cities new policy which is similar to AZ new (and now under litigation!) immigration law. We can only hope that the boys will remember how great it feels to play together and maybe think about a whole tour or even -gasp- a follow-up record to Read Music/Speak Spanish. This would be awesome, since with Hot Water Music alive and kicking my short list of bands I'd like to see re-form gets down to Jawbreaker, Refused and the boys from Omaha.

Speaking of Refused, here's a fun video of Dennis Lyxzen from Refused performing a Minor Threat cover with Rise Against (Brian Baker from Bad Religion is there too, but I'm less excited for him). Doesn't Dennis look like he's having fun? Running around getting to be hardcore again after the colossal snore-fest that is International Noise Conspiracy?



I had a third thing, but now I don't remember what it is. Hot Water Music is recording a 7" with Bouncing Souls, but I got less excited about that when I heard that they were just going to be covering each other.

Desaparecidos - Happiest Place On Earth

Minor Threat - Minor Threat

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Desaparecidos
Minor Threat

Review: Marked Men - Ghosts

The first time I ever heard of the Denton Texas punk band Marked Men, was when Mitch Clem (internet comic artist extraordinaire) put their album "Fix My Brain" at number one on his list of best albums of 2006. Now, three years later, the boys are back with 2009's Ghosts, which weighs in at 15 tracks and not a single one touching 3 minutes in length. I know I harp on short songs a lot in reviews, but I think Shakespeare said it best when he wrote in Hamlet "As brevity is the soul of punk rock, keep thy hardcore and pop-punk songs under 3 and a half minutes." I might be remembering that wrong put the point is that gettin' it done in a timely fashion is for the most part a virtue I look for in bands like this and Marked Men deliver in spades. Listen to this baby end to end and you barely sacrifice a half-hour of your day.

As for actual substance, it's pretty standard, better-than-average pop-punk (lotta hyphens there). The guitars are angular, distorted and played with down-strokes; the drummer's mostly doing high-hat and snare; the vocals are a little rough both in recording quality and delivery and everything is moving along at a pretty good clip. The band apparently has a policy of not publishing lyrics which as a lyrics-oriented kind of guy, I found a little annoying, especially when I turned to write about the album (grrrrr). Combine this with the vocal quality and you could go a decent amount of listens and never have a clue what you were hearing. Besides the lack of published lyrics, my only complaint would be that the guitar sound doesn't change much song-to-song which means that a lot of the songs kind of seem indistinguishable from each other. It's all good, but at times a song will end and the next will start and you think "didn't I just hear this?"

The title track and Red Light Rumors seem to me to be the two songs that really stand out as different from the others but even that is only a slight shift. While all the songs are pretty good, the best two (as opposed to the two that stand out) are Ditch and Stay Away. Strangely enough, those two are the ones I'm going to post.

Marked Men - Ditch

Marked Men - Stay Away

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Marked Men

Review: Franz Nicolay - Major General

I regard Franz Nicolay's musical career with mixed feelings. He rose to prominence as a member of World/Inferno Friendship Society, a band I'm hard pressed to find any redeeming value to (and yes, I have witnessed their vaunted live show. They were assholes.) before going on to be the keyboardist and and back up singer in The Hold Steady. I like the Hold Steady and I really liked what he brought to them (it's his rough voiced- back up on "Stuck Between Stations") . Now he has announced that he's going out on tour with Against Me! as their keyboardist. The very fact that they need a keyboardist is proof that they are no longer a band to be excited about joining (he says, like he wouldn't take that call). The reason I outline my feelings on Franz's career path is that I have similar mixed feelings about his first solo effort 2009's Major General. There are some great songs on this album, and some friggin' terrible ones.

The album kicks off with what is easily the best song on the whole thing: "Jeff Penalty" and song about a man who was briefly the lead singer of the Dead Kennedys. This is a great song, it rocks, has dynamics, a great little group part and it builds like a sonofabitch. It also has a pretty nifty video:


Sadly, after "Penalty," this little wagon starts rolling down hill and never really climbs that high again. The second song, "Hey Dad" isn't bad but doesn't really hit enough anywhere for my taste. He transitions to piano for the next two, the unfortunate "World/Inferno Vs. The End Of The Evening" (suprise, suprise) and the piano-tango of "Dead Sailors." Despite its slow start, 'Sailors' has some gas in its tank and pulls it out at the last minute with a huge chorus. The promise of a simliar payoff is a lie which keeps you going to the dragging, insomnia-banishing, guitar and clarinet jazz of "Do We Not Live In Dreams?" Seriously, it's not good, but like a typical season for J D Drew, after you wade through the waist high mediocrity, there's a couple of hot streaks in there someplace. This particular streak opens with the crashing drums of "Confessions Of An Ineffective Casanova" and follows that up with a pretty solid chorus (this is where a better reviewer would quote lyrics but I'm too lazy). Nicolay doesn't take his foot off the gas and charges straight into the pretty great "Quiet Where I Lie" before nose diving into the godawful "Note on a Subway Wall". This swing and miss is the first in a trio of songs that leave me thinking maybe this should have been an Ep.

The last three songs are a microcosm of the entire album. Uptempo rocker "This World Is An Open Door" is just great. The next is an acceptable down-tempo number (possibly the best slow song on the album) and then the last song is a convincing argument for the album being just one song shorter. Don't get me wrong, this album has some really good songs on it, but it also has some serious fat that needs trimming. You could honestly lose about half this album and you'd be left with a really great product. It's fine as it is now, but you have to do some digging before you hit the gold.

Franz Nicolay - Jeff Penalty

Franz Nicolay - Confessions Of An Ineffective Casanova

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Franz Nicolay

Review: Shorebirds - It's Gonna Get Ugly

In the last couple of years, PME's (that's Punk Music Enthusiasts, for those of you not in the know) have been blessed with a myriad of bands features members of two truly great and now-defunct punk bands: Jawbreaker and Latterman. As regulars of this blog know by now, Jawbreaker's lead singer, Blake Schwarzenbach was briefly in band called Thorns of Life, before starting his current band forgetters (for whom we are very excited), while the Latterman guys have cropped up in a huge number of bands including (but not limited to) Iron Chic, RVIVR, and the (I'm sorry for this) sadly underwhelming Bridge and Tunnel (somebody has to say it). Now at this point some of you may be saying "Keegan, I thought this review was of some band called Shorebirds, why are you going on at great length about Jawbreaker and Latterman?" And I'll tell you, dear but impatient reader, Shorebirds represents the overlap in the Venn diagram of ex-Latterman and ex-Jawbreaker bands as it features Chris Bauermeister of Jawbreaker on bass, and Matt Canino of Latterman on guitar and yelling.

Fans hoping for a follow-up to Dear You should probably look elsewhere, but people looking for a record to fill the Latterman void, could do a lot worse (they could do Bridge and Tunnel for example). It's Gonna Get Ugly has everything you loved in a Latterman record, just a little less of it. Shouted/sung vocals? They're there but the only time they really get cranked up and raw is on the driving "Circles" which sees Canino spitting out his lyrics as fast as he can over a drum beat that Black Flag is probably still looking for. The political lyrics from Latterman are still there, but they're subtler and less insistent. What I miss most is the anthemic tracks and the fist in the air "everyone-goes-'yeah'-on-this-beat" moments which seem to be lacking on this album. Weirdly enough I have a similar complaint about the new album from The National, but more about that in a couple months.

If you're only going to listen to three tracks off this album (I don't know why anyone would have this rule) they should be:

Track 3: "Upside Down" - Possibly the most anthemic song on the album, also the most feel-good, pump up song. Though in reading the lyrics, I have a sneaking suspicion its about suicide, so what do I know?

Track 4: "Sleeping In" - It has a fun false beginning, it has the same basic idea as the Post Service song of the same name (the world sucks so why wake up) and the F-word gets used about 100 times over the course of just over two minutes.

Track 10: "The Ballad of Marvin Heemeyer" - It's the story of a man who drove an armor-plated bulldozer through several buildings in his town in response to God and a zoning dispute. I think the boys are taking an anti-government message from this one, which works if you don't look too closely.

In all its 12 tracks, weighing in at about 26 and a half minutes with only one song over 3. Solid west coast, rough vocals, pop-punk (the good kind). Shorebirds has an impeccable pedigree, but they don't really need to rely on it, the album stands as a great punk record all on its own.

Shorebirds - Sleeping In
Shorebirds - The Ballad of Marvin Heemeyer

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Shorebirds

Entry Number 100

Today is a special day because it marks the hundredth (is that a word?) post I've made here on the blog. Very exciting. The title gave it away a little didn't it? Anyway, I thought it would be nice to just for one post, go back to what this blog originally was, back when it was called 'Recording a Day' and it was just crappy recordings of my mostly doing bad covers with the occasional original thrown in when I thought I was getting a little too close to being tolerable. So in that spirit, today's post is pretty simple just one song for you listening pleasure, but it's a Kid Omega song so you can see how it hearkens back. This recording is off of a Clark University bands comp called Cougar Tracks which was put together by Adam among others. This song will also appear on KO's upcoming full length, though with a bit more production and better vocals. Oh yeah, and it won't be named for a god damn republican. Enjoy!

Kid Omega - Sununu (not the real title)

I'm Done!

So as of yesterday, I have handed in what is hopefully the last papers of my college career. I'm very excited about this. In addition to lots of other things, it means that I will now have tons of time to start cranking out those reviews I've been threatening you all with the last couple of months. However, I haven't started 'cranking them out' just yet. To help you pass the time, here's a really awesome video by a band I would have loved to review but I kind of missed the boat on. Despite this, the video is too cool not to post.


Living Saints

Polar Bear Club | MySpace Music Videos