I regard Franz Nicolay's musical career with mixed feelings. He rose to prominence as a member of World/Inferno Friendship Society, a band I'm hard pressed to find any redeeming value to (and yes, I have witnessed their vaunted live show. They were assholes.) before going on to be the keyboardist and and back up singer in The Hold Steady. I like the Hold Steady and I really liked what he brought to them (it's his rough voiced- back up on "Stuck Between Stations") . Now he has announced that he's going out on tour with Against Me! as their keyboardist. The very fact that they need a keyboardist is proof that they are no longer a band to be excited about joining (he says, like he wouldn't take that call). The reason I outline my feelings on Franz's career path is that I have similar mixed feelings about his first solo effort 2009's Major General. There are some great songs on this album, and some friggin' terrible ones.The album kicks off with what is easily the best song on the whole thing: "Jeff Penalty" and song about a man who was briefly the lead singer of the Dead Kennedys. This is a great song, it rocks, has dynamics, a great little group part and it builds like a sonofabitch. It also has a pretty nifty video:
Sadly, after "Penalty," this little wagon starts rolling down hill and never really climbs that high again. The second song, "Hey Dad" isn't bad but doesn't really hit enough anywhere for my taste. He transitions to piano for the next two, the unfortunate "World/Inferno Vs. The End Of The Evening" (suprise, suprise) and the piano-tango of "Dead Sailors." Despite its slow start, 'Sailors' has some gas in its tank and pulls it out at the last minute with a huge chorus. The promise of a simliar payoff is a lie which keeps you going to the dragging, insomnia-banishing, guitar and clarinet jazz of "Do We Not Live In Dreams?" Seriously, it's not good, but like a typical season for J D Drew, after you wade through the waist high mediocrity, there's a couple of hot streaks in there someplace. This particular streak opens with the crashing drums of "Confessions Of An Ineffective Casanova" and follows that up with a pretty solid chorus (this is where a better reviewer would quote lyrics but I'm too lazy). Nicolay doesn't take his foot off the gas and charges straight into the pretty great "Quiet Where I Lie" before nose diving into the godawful "Note on a Subway Wall". This swing and miss is the first in a trio of songs that leave me thinking maybe this should have been an Ep.
The last three songs are a microcosm of the entire album. Uptempo rocker "This World Is An Open Door" is just great. The next is an acceptable down-tempo number (possibly the best slow song on the album) and then the last song is a convincing argument for the album being just one song shorter. Don't get me wrong, this album has some really good songs on it, but it also has some serious fat that needs trimming. You could honestly lose about half this album and you'd be left with a really great product. It's fine as it is now, but you have to do some digging before you hit the gold.
Franz Nicolay - Jeff Penalty
Franz Nicolay - Confessions Of An Ineffective Casanova
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Franz Nicolay
